Mumbai Pune Films Entertainment, Ericon Telefilms and P & P Entertainment’s Asambhav (Marathi; UA) is a reincarnation drama.
Aditya (Sachit Patil) is a rich businessman who proposes marriage to his project manager, Mansi (Mukta Barve). However, Mansi turns down his proposal as she is haunted by dreams about her own murder in a haveli. In Uttarakhand, Aditya’s psychologist-friend, Satyajeet (Sandeep Kulkarni), talks to Mansi and tells her to go back into her dreams and dig deeper when they see the same haveli of her dreams. That’s when Mansi realises that she was Urmila (Mukta Barve) in her previous life while her husband’s name was Madhav (Sachit Patil). She also sees in her dream that Madhav was the legal advisor of Sadhana (Priya Bapat) who owned the haveli. One day, Vikram (Vineet Sharma) instigates Urmila against Sadhana. Angry, Urmila fights with Sadhana. Soon, Madhav sees that Urmila has been murdered. By a turn of events, Madhav is taken to be Urmila’s murderer. He is jailed and he commits suicide in the prison. Mansi also sees the true killer in her dream. Who is the murderer? What was the reason behind the killing? What happens now?
Kapil Bhopatkar’s story is not interesting. It is also confusing at places. The screenplay, penned by Kapil Bhopatkar, Vishal Inamdar and Sachit Patil, is very ordinary and fails to engage or involve the audience. Girish Joshi’s dialogues are okay.
Sachit Patil does well as Aditya and Madhav. Mukta Barve shines in the roles of Mansi and Urmila. Priya Bapat is excellent as Sadhana. Sandeep Kulkarni leaves a fine mark as psychologist Satyajeet. Vineet Sharma is average as Vikram. Others pass muster.
Sachit Patil’s direction and Pushkar Shrotri’s co-direction are fair. Amit Raj’s music, and Kshitij Patwardhan’s lyrics are ordinary. Rahul Thombre’s song picturisations are functional. Suyash Kelkar’s background music is routine. Prasad Bhende’s cinematography is quite nice. Gayatri Shinde’s production designing is appropriate. Faisal Mahadik’s editing should’ve been sharper.
On the whole, Asambhav is a very ordinary fare and hence will not be able to make much of an impact at the ticket windows.
Released on 21-11-’25 at Jai Hind Mukta A2 (daily 1 show) and other cinemas of Bombay thru Panorama Studios. Publicity: so-so. Opening: very ordinary.
