‘SAAR: THE CONCLUSION’ REVIEW | 12 January, 2024

Released last week in Bombay and Delhi, Mishika Films, Kavyanjali Films and Action Voice Studio’s Saar: The Conclusion (UA) is the story of a father and son’s bonding. A family drama, it talks about how the experiences in the growing-up years of a child can affect his thoughts and behavioural pattern for life.

Kamleshwar’s story is weak — and that’s putting it mildly. Kamleshwar and Sanjay Kumar’s screenplay hardly manages to engage the audience because most of the drama is devoted to saying what one already knows. Besides, the screenplay has no high points and progresses in a flat manner. The duo’s dialogues are dull.

Kapil Sharma doesn’t have the looks of a hero. His acting is pathetic. Monika Choudhary is average. Rupali Pallavi is okay. Kamleshwar fails to impress. Priyanshi Soman is alright. Shubham Gupta lends routine support. Abhishek Gupta passes muster. Vikas Sharma is ordinary. Ritu Choudhary is just about passable. Pakhi Singh is so-so. Kailash Khandelwal provides dull support. Manoj Chauhan, Yashan Singh, Nishika Singh and Vibhu Kashyap just about fit the bill.

Danish Ali’s direction is very poor. Mahesh Hiremath’s music and Ashok Choudhary’s lyrics are below the mark. Mahesh Hiremath’s background music is dull. Mohsin Khan Pathan’s camerawork is not up to the mark. Sachin Kumar’s production designing is weak. Sujit Kanojia’s editing leaves a lot to be desired.

On the whole, Saar: The Conclusion is a box-office disaster.