LATEST POSITION
The Rakshan Bandan holiday/s on 7th/8th proved bountiful for the industry.
Barood reaped the benefit of Raksha Bandhan holidays but dropped from 5th/6th day onwards. 1st week Bombay 36,42,868 (71%) from 12 cinemas (8 on F.H.); Ahmedabad 6,03,505 from 5 cinemas, Vapi 4,85,986 from 2 cinemas, Padra 1,30,225, Rajkot 1,28,390 from 2 cinemas (1 in matinee), Jamnagar (matinee) 24,069; Pune 8,06,646 from 5 cinemas (1 in matinee), Kolhapur 1,46,825; Delhi (6 days) 23,22,062 (62.91%) from 9 cinemas (1 on F.H.); Kanpur 3,80,435 from 2 cinemas, Agra 1,87,000, Varanasi 1,39,432 (70.15%), Allahabad 1,01,000, Bareilly 1,39,432 (70.15%); Calcutta (6 days) 17,55,979 from 18 cinemas; Nagpur 5,34,286 from 6 cinemas, Amravati 95,579, Bhilai 92,864; Bhopal 2,53,250 from 2 cinemas; Jaipur 7,27,687 from 4 cinemas; Hyderabad 20,23,978 from 11 cinemas (1 in noon), share 7,25,928.
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Godzilla (dubbed) has done excellent. 1st week Bombay 4,54,913 (100%) (2 on F.H.); Ahmedabad 3,72,450 from 3 cinemas, Baroda (English & Hindi) 2,30,351, Rajkot 1,50,230, Adipur 1,64,923, share 1,16,455, record; Pune 3,38,467; Delhi 18,92,581 (85.51%) from 5 cinemas; Kanpur 3,35,647 from 2 cinemas, Varanasi (6 days) 1,61,372, Allahabad 94,300; Calcutta (6 days) 16,69,608 from 15 cinemas (1 in noon); Nagpur 45,038.
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Pyaar To Hona Hi Tha is doing very well in Bombay, West Bengal, C.P.C.I. and South. 3rd week Bombay 22,49,795 (94.82%) from 5 cinemas (5 on F.H.); Ahmedabad 5,82,805 from 4 cinemas (1 unrecd.), Vapi 2,35,896, total 10,64,702, Rajkot (matinee) 14,160, Jamnagar 92,789 from 2 cinemas (1 in matinee); Pune 6,48,184 from 3 cinemas, Kolhapur 1,10,000; Delhi (6 days) 18,39,773 from 6 cinemas; Kanpur 2,87,200, Varanasi 1,20,117, Allahabad 1,13,000, Meerut 1,39,128, 1st week Bareilly 1,55,006 (68.87%), 3rd week Hardwar 49,589; Rohtak 20,494; Calcutta (6 days) 5,44,117 from 4 cinemas; Nagpur 2,42,391 from 2 cinemas, Amravati 1,19,001, Akola 1,35,344, total 4,68,254, Raipur 1,39,373, Bhilai 91,045, Chandrapur 81,790 (2nd 85,238), total 3,30,560; Bhopal 2,85,601 from 2 cinemas; Jaipur 5,49,281, Ajmer 1,23,291, 1st week Bikaner 2,18,134; 3rd week Hyderabad 6,93,346 from 4 cinemas (1 in noon).
Dulhe Raja 5th week Bombay 5th week Bombay 6,48,553 (52.17%) from 4 cinemas (2 on F.H.); Ahmedabad 1,21,320, Jamnagar (matinee) 9,583; Pune 1,45,254 from 2 cinemas, 1st week Barsi 30,981; 5th week Delhi (6 days) 4,15,342 from 2 cinemas (1 on F.H.); Kanpur 3,07,648 from 2 cinemas, Agra 1,48,756, Varanasi 1,12,632, Allahabad 74,300, Bareilly 90,927 (42.09%); 2nd week Rohtak 10,364; 5th week Calcutta (6 days) 1,08,561; Nagpur 1,49,124 from 2 cinemas, Amravati 68,510, 4th Akola 60,125, total 4,13,167, share 2,68,862, 5th week Raipur 84,698, Bhilai 60,270, 4th Jalgaon 48,064, total 4,16,868; 5th week Bhopal 38,783; Jaipur 3,90,388 from 2 cinemas, 2nd week Ajmer (gross) 1,69,092, Bikaner 85,780; 5th week Hyderabad 4,18,931 from 3 cinemas (1 in noon).
Satya 6th week Bombay (TF) 41,22,214 (82.71%) from 10 cinemas (6 on F.H.); Ahmedabad 97,143, Baroda 22,083, Rajkot (mg. shows) 9,865; Pune (TF) 5,23,893 from 4 cinemas (1 in matinee), Kolhapur (TF) 1,73,687, 2nd week Barsi (TF) 43,877 (1st 79,153); 6th week Delhi (6 days) 2,47,913 from 2 cinemas; Kanpur 81,434 from 2 cinemas, Allahabad 45,861, 1st week Hardwar 78,800; 6th week Calcutta (6 days) 1,07,815; Nagpur (TF) 87,916, Amravati (TF) 1,07,523, Akola (TF) 59,066, total 4,36,392, share 3,09,406, 2nd week Dhule (TF) 92,302 (1st 1,18,450), total share 1,18,471, Wardha (TF) 61,009, Yavatmal (TF) 60,040; Bikaner 38,380; 6th week Hyderabad 3,34,810 from 2 cinemas (1 in noon).
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Godzilla (English) 1st week Bombay 8,95,474 (92.01%); Delhi (6 days) 26,03,585 from 4 cinemas; Calcutta (6 days) 6,02,039 from 2 cinemas; Nagpur 2,11,875; Vijayawada 2,30,000, Visakhapatnam (noon) 50,278.
DELHI-U.P. DISTRIBUTOR AJAY GOEL DEAD
Ajay Doel, proprietor of M.K.D. Films (96), Delhi, was killed in a gas leak accident in his office in Delhi earlier this week. Kriya ceremony was held on 14th August.
MADHUBHAI PATEL DEAD
Madhubhai Manibhai Patel of Laxmi Cinema, Nadiad, Natraj Talkies, Borsad, and Natraj, Kapadwanj, passed away in Nadiad on 7th August. Besna was held on 13th at his residence in Nadiad.
SIZE DOESN’T MATTER!
Glamour, the preview theatre housed in the premises of Gaiety, Galaxy and Gemini cinemas of Bandra, Bombay, will very soon be turned into a commercial cinema. The mini cinema has 46 seats, and the admission rate will be Rs. 65. Its weekly capacity (daily 5 shows) will be Rs. 64,400.
The new cinema will open with Godzilla (English). It is equipped with Dolby digital sound and a new AC plant. It is being managed by Manoj Desai and Rajesh Thadani.
INDUSTRY PLEADS FOR MORE RELIEFS IN U.P.
The Film Makers’ Combine and the Association of Motion Picture & TV Programme Producers hosted a meeting on 9th August at Citizen Hotel to discuss the U.P. government’s film policy with Kalraj Mishra, tourism minister of the state.
While thanking the minister for the reliefs granted by the Uttar Pradesh government, including reduction in entertainment tax and industry status for films, a fervent appeal was made to further reduce entertainment tax.
The CHAMPP also presented a memorandum to the minister at the meeting, requesting for the following:
(1) The U.P. government should give a grant of Rs. 15 lakh, like the Maharashtra government, to a filmmaker making films in Bhojpuri, Brajbhasha, Awadhi, Bundelkhandi, Maithili, Purvi, Garhwali and other languages of the state.
(2) Films made in regional languages should be granted entertainment tax exemption for one year if filmed 50% in the state and for 2 years if 75% shooting is done in the state.
(3) 50% concessions should be given to the units of regional films shooting on locations in U.P. and staying in government lodges. Such concessions should also be given by the tourism and other departments of the state.
(4) The film producer should get as a loan up to 50% of the grant at minimum interest rate from government’s financial institutions, taking into consideration the progress of the film.
RAVI DEWAN’S BEAUTY CARE SALON
Action master and director Ravi Dewan and his wife, Maya, are inaugurating a beauty care salon today (15th August). Called Maya’s, it is situated at MHADA, Building no. 7, Flat 001, Oshiwara Extension, New Link Road, near Tarapore Towers, Andheri (W), Bombay. Phone: 639-1386.
DO YOU KNOW?
4.41 CRORE IN 1 WEEK
* The English and Hindi versions of GODZILLA have collected a total of 4.41 crore in 1st week on 123 prints in India. The first week’s all-India share is a fantastic 2.91 crore!
MAIN SOLAH PER CENT KI!
* In a unique coincidence, Dev Anand’s MAIN SOLAH BARAS KI has collected 77,248/- against the capacity of 4,64,915/- at New Era in Malad, Bombay, thereby achieving the dubious distinction of recording 16.62% collections in its first week! This uncanny similarity between the film’s title and its percentage collections has led people to wonder whether Dev Anand will now make an autobiographical film and title it MAIN EK SAU SOLAH BARAS KA! If nothing else, it would at least give some hope to that film’s distributors — for a similar coincidence (116% collections)!
YOU ASKED IT
Why are so many horror films being made?
–Because their budgets are small and they are made in a short span of time. Other than these, small non-star cast films don’t have buyers.
There’s a fad to cut non-film albums these days, coupled with making music videos. Are these enterprises paying?
– If a private non-film album clicks in a big way (like Alisha Chinai’s ‘Made In India’, Daler Mehndi’s ‘Bolo Ta Ra Ra Ra’ and Altaf Raja’s ‘Tum To Thehre Pardesi’), it can yield profits of a couple of crores or even more!
For a super-hit music album like Dil Se.., is it worth spending lakhs on publicity?
– Of course, it is worth the money being spent before the film’s release. It would be wrong to not spend on publicity of a hit album.
3-E
Education-Entertainment-Enlightenment
Kaho Naa…Kareena Hai
So, finally the lid is off. Our sources have confirmed that Kareena Kapoor has been signed by director J.P. Dutta finally. Of course, there’s no formal announcement by Dutta so far. It may be recalled that Kareena Kapoor’s controversial departure, a few weeks ago, from Rakesh Roshan’s Kaho Naa…Pyaar Hai had opened up a can of worms. It has been rumoured since then that Kareena left the film because she was being offered a film by J.P. Dutta, pairing her opposite Abhishek Bachchan. The rumours seem confirmed now, with the news of Kareena signing the J.P. Dutta film which stars Abhishek Bachchan with Jackie Shroff and Sunil Shetty. There, the cat’s out of the bag.
Tug-Of-War For Film
A controversy involving Bade Miyan Chote Miyan may soon start in Delhi. For, there seem to be two distributors of the film for Delhi-U.P. While one is the original distributor to whom the film was sold at a price of 2 crore plus, the other is a new entrant. It so happened that after having acquired the film and even paying under-production money, the original distributor reportedly developed cold feet and asked for a price reduction. The producer, not in a mood to reduce the price, negotiated with another distributor who expressed his willingness to buy the film. In the meantime, Major Saab was released and it not only took a flying start but also did good business in the subsequent weeks. This seems to have influenced the thinking of the original distributor who is now keen to release BMCM himself. But the producer has reportedly promised the distribution rights to the other distributor. Who will finally get the film and at what price remains to be seen. In the meantime, the producer must be feeling thrilled about the heat the film is generating, what with two buyers ready to buy it at a heavy price.
‘Dil Se..’ Craze At Peak
The music of Dil Se.. is rapidly making inroads into the hearts of millions of people everywhere. Almost every other person is heard humming various tunes from the Dil Se.. album, seemingly paving the way for a fantastic opening for the film, due for release next week. In fact, the never-before-heard combination of A.R. Rahman, Gulzar and Lata Mangeshkar has become so adorable to the public that it would not be surprising if cinema halls all over the country witness scenes of people getting up and dancing on their seats, whistling, even showering coins on the screens and asking for an encore, especially of the Chhaiyyan Chhaiyyan number when the film releases.