Aleo Cine Sagas, Think Tank Global and Spira’s Dulhaniya Le Aaeegi (UA) is the story of the wedding celebrations of a powerful businessman’s daughter, which go haywire.
Navya (Khushali Kumar) is the only daughter of rich and powerful businessman Devi Prasad (Mahesh Manjrekar). Preparations are afoot for her grand wedding, but things go so terribly wrong that it almost appears as if the celebrations will have to be called off. However, Navya decides that the marriage will take place, no matter what.
Jayant Gupta’s story is wafer-thin. His screenplay looks like an assemblage of scenes, many of which are not funny although the attempt is to tickle the funny bone. Since the drama is meant to make people laugh but it often fails to do so, it becomes tedious. Jayant Gupta’s dialogues often lack the punch.
Khushali Kumar is ordinary as Navya. Mahesh Manjrekar impresses as Navya’s father, Devi Prasad. Piyush Mishra makes his mark. Snehil Dixit Mehra is quite nice. Larissa Bonesi is okay. Omkar Kapoor has his moments. Sanjay Gandhi lends average support. Naresh Gosain makes his presence felt. Pradeep Kabra makes an average impression. Others are adequate.
Akashaditya Lama’s direction is routine. Music (Jazim Sharma, Abhishek Ray, Addy Singh and Arushi Krishna) and lyrics (J.P. Gangwar and Divyesh Mungra) are functional. Jayesh Pradhan’s choreography is nothing to dance about. Amar Mohile’s background music should’ve been far more impactful. Duleep Regmi’s cinematography is fair. Shankar Samanta’s production designing is okay. Dilip Kumar Routray’s editing should’ve been sharper.
On the whole, Dulhaniya Le Aaeegi is a dull fare.
Released on 24-7-’26 at Gem (daily 1 show) and other cinemas of Bombay thru 1st Film Studios LLP. Publicity & opening: poor. …….Also released all over. Opening was weak everywhere.