Damaru Film Production’s Rappata (Marathi; UA) is a story about the importance of education in one’s life. It underlines the fact that neglecting education at the right age can derail a child’s entire future. While parents invest their time, money, and hopes to guide their children towards a better life, poor choices and ignorance lead to conflict, regret, and life-long struggles. The story delivers the message that without education, the chances of building a secure and meaningful future slowly disappear.
Premsagar Suryawanshi’s story and screenplay aren’t novel. Not just the concept but even the writing is clichéd and predictable most of the times. As a result, the drama becomes boring for the viewers. Premsagar Suryawanshi’s dialogues are too ordinary to make any impact. For a subject like this, the dialogues ought to have been hard-hitting.
Vikas Mahadev Koravi is okay as Samya. Prachi Pravin Karoshi passes muster in the role of Mangal. Sanket Shankar Mali is okay as Hanmya. Yashwant Sambhaji Jadhav is ordinary as Hemya. Vaibhav Ganpatrao Gavade is average in the role of Sukya. Vivek Sunil Kesarkar fits the bill as Chanappa. Shital Gurudas Bhosale does an ordinary job as an actor. Mahamadrafik Ibrahim Mangure and Ketki Gawade are dull as actors.
Premsagar Suryawanshi disappoints with his direction. His narration simply doesn’t involve the audience. Darshan Sutar’s music is nothing to shout about. Aditya Kamble and Shubham Poojari do an dull job of the lyrics. Sushant Patil’s choreography is below the mark. Darshan Sutar’s background music is functional. Rohit Patil’s camerawork leaves a lot to be desired. Karan Bhandari and Swapnil Kamu’s editing is loose.
On the whole, Rappata is a flop show.
Released on 2-1-’26 at Movie Time Goregaon (daily 1 show) of Bombay thru A.P. Communications. Publicity & opening: poor. …….Also released all over. Opening was pathetic everywhere.
