Real Reels’ The Bose Files: Sach Ya Sazish… (UA) delves into the mysterious disappearance of acclaimed and famous freedom fighter Netaji Subhas Chandra Bose. A young lady sets out to uncover the truth behind the disappearance. She joins forces with a man who has spent 22 years researching on the subject and defying the system to expose the truth. Together, they challenge the official story of Bose’s death.
Rajesh Gupta’s story is interesting in parts only. But since The Tashkent Files has tackled the same story and since that was a successful film, the novelty value of this story is missing. Rajesh Gupta’s screenplay is ordinary because the drama gives a documentary type of feeling to the viewers. Rajesh Gupta’s dialogues are average.
Apoorva Arora is so-so. Yatin Karyekar is fair. Virendra Saxena acts in a realistic manner. Akhilendra Mishra makes his mark. Amit Behl leaves a reasonably good impression. Rajiv Kumar, Akashdeep Arora and Rajesh Gupta provide ordinary support. Others fit the bill.
Rajesh Gupta’s direction is weak. Hriju Roy’s music is functional. Lyrics are nothing to dance about. Sanjoy Chowdhury’s background music is alright. Rounak Ameriya’s camerawork is okay. Vivek Rawat’s production designing is so-so. Harshvardhan Jadhav’s editing should’ve been sharper.
On the whole, The Bose Files: Sach Ya Sazish… is not good enough to catch the public’s fancy.
Released on 31-7-’26 at Sterling (daily 1 show) and other cinemas of Bombay by UFO Cine Media Network thru August Entertainment. Publicity & opening: poor. …….Also released all over. Opening was dull everywhere.
